第46卷 伊丽莎白时期戏剧(卷Ⅰ)(哈佛经典50部英文版).pdf
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1、 第第 46 卷卷 伊丽莎白时伊丽莎白时期戏剧(卷)期戏剧(卷)百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷)2/570 总目录总目录 第第 1 卷卷 富兰克林自传富兰克林自传 第第 2 卷卷 柏拉图对话录:辩解篇、菲多柏拉图对话录:辩解篇、菲多篇、克利多篇篇、克利多篇 第第 3 卷卷 培根论说文集及新阿特兰蒂斯培根论说文集及新阿特兰蒂斯 第第 4 卷卷 约翰米尔顿英文诗全集约翰米尔顿英文诗全集 第第 5 卷卷 爱默生文集爱默生文集 第第 6 卷卷 伯恩斯诗歌集伯恩斯诗歌集 第第 7 卷卷 圣奥古斯丁忏悔录圣奥古斯丁忏悔录 第第 8 卷卷
2、 希腊戏剧希腊戏剧 第第 9 卷卷 论友谊、论老年及书信集论友谊、论老年及书信集 第第 10 卷卷 国富论国富论 第第 11 卷卷 物种起源论物种起源论 第第 12 卷卷 普卢塔克比较列传普卢塔克比较列传 第第 13 卷卷 伊尼亚德伊尼亚德 第第 14 卷卷 唐吉坷德唐吉坷德 百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷)3/570 第第 15 卷卷 天路历程天路历程 第第 16 卷卷 天方夜谭天方夜谭 第第 17 卷卷 民间传说与预言民间传说与预言 第第 18 卷卷 英国现代戏剧英国现代戏剧 第第 19 卷卷 浮士德浮士德 第第 20
3、卷卷 神曲神曲 第第 21 卷卷 许婚的爱人许婚的爱人 第第 22 卷卷 奥德赛奥德赛 第第 23 卷卷 两年水手生涯两年水手生涯 第第 24 卷卷 伯克文集伯克文集 第第 25 卷卷 穆勒文集穆勒文集 第第 26 卷卷 欧洲大陆戏剧欧洲大陆戏剧 第第 27 卷卷 英国名家随笔英国名家随笔 第第 28 卷卷 英国与美国名家随笔英国与美国名家随笔 第第 29 卷卷 比格尔号上的旅行比格尔号上的旅行 第第 30 卷卷 科学论文集:物理学、化学、科学论文集:物理学、化学、天文学、地质学天文学、地质学 百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷
4、)4/570 第第 31 卷卷 切利尼自传切利尼自传 第第 32 卷卷 文学和哲学名家随笔文学和哲学名家随笔 第第33卷卷 古代与现代著名航海与旅行记古代与现代著名航海与旅行记 第第 34 卷卷 法国和英国著名哲学家法国和英国著名哲学家 第第 35 卷卷 见闻与传奇见闻与传奇 第第 36 卷卷 君王论君王论 第第 37 卷卷 17、18 世纪英国著名哲学家世纪英国著名哲学家 第第 38 卷卷 物理学、医学、外科学和地质物理学、医学、外科学和地质学学 第第 39 卷卷 著名之前言和序言著名之前言和序言 第第 40 卷卷 英文诗集(卷)从乔叟到格英文诗集(卷)从乔叟到格雷雷 第第 41 卷卷 英文
5、诗集(卷)从科林斯到英文诗集(卷)从科林斯到费兹杰拉德费兹杰拉德 第第 42 卷卷 英文诗集(卷)从丁尼生到英文诗集(卷)从丁尼生到惠特曼惠特曼 第第 43 卷卷 10001904 第第 44 卷卷 圣书圣书(卷一卷一):孔子孔子 希伯来书希伯来书 基基百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷)5/570 督圣经督圣经()第第 45 卷卷 圣书圣书(卷二卷二)基督圣经基督圣经()第第 46 卷卷 伊丽莎白时期戏剧(卷)伊丽莎白时期戏剧(卷)第第 47 卷卷 伊丽莎白时期戏剧(卷)伊丽莎白时期戏剧(卷)第第 48 卷卷 帕斯卡文集帕斯卡
6、文集 第第 49 卷卷 史诗与传说史诗与传说 第第 50 卷卷 哈佛经典讲座哈佛经典讲座 百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷)6/570 第第 46 卷卷 伊丽莎白时期戏剧(卷)伊丽莎白时期戏剧(卷)INTRODUCTORY NOTE A SKETCH of the life and work of Christopher Marlowe will be found prefixed to his play of“Doctor Faustus”in the volume of the Harvard Classics conta
7、ining Goethes“Faust.”The precise date of“Edward II”has not been determined,but it is generally and plausibly assigned to 1590-91.The historical basis for the plot Marlowe found in the Chronicles of Fabyan,Stow,and Holinshed,especially the last.In its treatment of the facts of history,this play is a
8、typical example of the class of drama known as the“chronicle history,”which flourished in the last two decades of the sixteenth century,and culminated in Shakespeares“Henry IV”and“Henry V.”While the order of events in history determines for the most part the succession of scenes,the author condenses
9、,omits,elaborates,and re-arranges in order to gain dramatic effectiveness,and to bring out the character of Edward and the results of his weakness.Thus the action covers a historical period of some twenty-two years,though no such stretch of time is suggested by the play;the military operations in Ir
10、eland and Scotland,and especially the battle of Bannockburn,are antedated in order to connect them with Gaveston,who was,in fact,dead before any of them occurred;and the adherence of Spencer to the king is made to follow immediately,instead of several years,after the death of the earlier favorite.Ye
11、t,with all this freedom in the handling of details,Marlowe succeeds in giving a substantially true,as well as a powerfully affecting,picture of the character and fate of Edward II.The play is the ripest and most masterly of Marlowes productions,showing in the delineation of character,the constructio
12、n of the plot and the freedom and variety of the verse,a striking advance over his earlier work.Nowhere else does he rival 百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷)7/570 so closely his great successor,Shakespeare.“The reluctant pangs of abdicating Royalty in Edward furnished hints which Sh
13、akespeare scarcely improved in his Richard the Second;and the death-scene of Marlowes King moves pity and terror beyond any scene,ancient or modern,with which I am acquainted.”CHARLES LAMB.EDWARD THE SECOND DRAMATIS PERSON KING EDWARD THE SECOND.PRINCE EDWARD,his Son,afterwards King Edward the Third
14、.EARL OF KENT,Brother to King Edward the Second.GAVESTON.ARCHBISHOP OF CANTERBURY.BISHOP OF COVENTRY.BISHOP OF WINCHESTER.WARWICK.LANCASTER.PEMBROKE.ARUNDEL.LEICESTER.BERKELEY.MORTIMER,the elder.MORTIMER,the younger,his Nephew.SPENSER,the elder.SPENSER,the younger,his Son.BALDOCK.BEAUMONT.TRUSSEL.GU
15、RNEY.百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷)8/570 MATREVIS.LIGHTBORN.SIR JOHN OF HAINAULT.LEVUNE.RICE AP HOWEL.Abbot,Monks,Herald,Lords,Poor Men,James,Mower,Champion,Messengers,Soldiers,and Attendants.QUEEN ISABELLA,Wife to King Edward the Second.Niece to King Edward the Second,daughter
16、to the Duke of Gloucester.Ladies.ACT THE FIRST SCENE I Enter GAVESTON,reading on a letter that was brought him from the King Gaveston.“MY FATHER is deceasd!Come,Gaveston,And share the kingdom with thy dearest friend,”Ah!words that make me surfeit with delight!What greater bliss can hap to Gaveston T
17、han live and be the favourite of a king!Sweet prince,I come;these,these thy amorous lines Might have enforcd me to have swum from France,And,like Leander,gaspd upon the sand,So thou wouldst smile,and take me in thine arms.The sight of London to my exild eyes Is as Elysium to a new-come soul;Not that
18、 I love the city,or the men,But that it harbours him I hold so dear The king,upon whose bosom let me die,注 1 And with the world be still at enmity.百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷)9/570 What need the arctic people love starlight,To whom the sun shines both by day and night?Farewell
19、 base stooping to the lordly peers!My knee shall bow to none but to the king.As for the multitude,that are but sparks,Rakd up in embers of their poverty;Tanti;注 2Ill fawn first on the wind That glanceth at my lips,and flieth away.Enter three Poor Men But how now,what are these?POOR MEN.Such as desir
20、e your worships service.GAV.What canst thou do?1ST P.MAN.I can ride.GAV.But I have no horses.What art thou?2ND P.MAN.A traveller.GAV.Let me see:thou wouldst do well To wait at my trencher and tell me lies at dinner time;And as I like your discoursing,Ill have you.And what art thou?3RD P.MAN.A soldie
21、r,that hath servd against the Scot.GAV.Why,there are hospitals for such as you.I have no war,and therefore,sir,begone.3RD P.MAN.Farewell,and perish by a soldiers hand,That wouldst reward them with an hospital.GAV.Ay,ay,these words of his move me as much As if a goose should play the porcupine,And da
22、rt her plumes,thinking to pierce my breast.But yet it is no pain to speak men fair;Ill flatter these,and make them live in hope.You know that I came lately out of France,Aside.百年哈佛 50 部经典 英文版 Harvard Classics 第 46 卷 伊丽莎白时期戏剧(卷)10/570 And yet I have not viewd my lord the king;If I speed well,Ill ente
23、rtain you all.ALL.We thank your worship.GAV.I have some business:leave me to myself.ALL.We will wait here about the court.Exeunt.GAV.Do.These are not men for me:I must have wanton poets,pleasant wits,Musicians,that with touching of a string May draw the pliant king which way I please.Music and poetr
24、y is his delight;Therefore Ill have Italian masks by night,Sweet speeches,comedies,and pleasing shows;And in the day,when he shall walk abroad,Like sylvan nymphs my pages shall be clad;My men,like satyrs grazing on the lawns,Shall with their goat-feet dance an antic hay.注 3 Sometime a lovely boy in
25、Dians shape,With hair that gilds the water as it glides,Crownets of pearl about his naked arms,And in his sportful hands an olive tree,To hide those parts which men delight to see,Shall bathe him in a spring;and there hard by,One like Acton peeping through the grove Shall by the angry goddess be tra
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